Podcast post-production 101

A while back I wrote a post Podcasting 101 – Simple Steps To Launching a Podcast. I wrote that post strictly out of need. I needed a post like that when I started podcasting. I bought several “How To Podcast” books, and I don’t know if I was just missing something or there was just assumed knowledge by the authors, but I felt there were several basic steps to setting up a podcast that no one ever explained very clearly. From my stats, I know that I get a regular flow of readers checking out that post, and several blogs and websites have linked to the post.

Since launching my podcast, I’ve recorded and released 36 episodes of the Reading and Writing Podcast – a podcast where I interview writers and authors about their books and their writing habits. I’ve interviewed primarily commercial fiction writers – thrillers, mysteries, science fiction, etc. I also recorded and released four episodes of the Book Marketing podcast – a podcast that I’m in the process of reviving as both a video and audio podcast.

I’ve had several people ask me about the specific steps that I follow in recording and producing a podcast. Here they are.

Recording – I use my MacBook Pro to record my podcasts. I conduct the interviews via Skype using eCamm Call Recorder software to record the interviews. My preference is that the author use Skype as well, and we do a Skype-to-Skype call – the audio clarity on Skype-to-Skype calls is much, much better. However, most authors don’t use Skype, so I end up using Skype’s call-out feature to call the author’s phone. I use an Alesis USB microphone for recording, but I’d love to get a higher quality microphone – maybe a Heil PR-40.

Alesis USB microphone

Post-production – When I finish the interview on Skype, I have a .mov file. I use a piece of software that comes with eCamm Call Recorder to split the conversation/interview into two files. I end up with two .mov files. Next, I use video conversion software to convert those two .move files into .wav files – files that Garageband will recognize and use. After I’ve converted the files into. wav format, I then run both files through The Levelator – free software that automatically cuts out the high and low volumes. I’m not an audiophile, and I may not be explaining The Levelator correctly. What it does simply is eliminate the volume increasing and decreasing dramatically on my audio interviews. I’ve listened to many podcasts who needed to use The Levelator badly. I constantly have to adjust the volume on my stereo because one person’s voice is very loud and the other person’s voice is lower. The Levelator eliminates all that.

Garageband – Again, I’m using a Mac, so I use Garageband for editing. I usually open the previous episode’s Garageband file, rename the file for the new episode, and then drag the two .wav files into Garageband. I reuse the previous episode’s file, because I reuse the segues and various sound files from episode to episode. My other Garageband editing consists of – cutting off the beginning and end of the audio files of the interviews where I’m talking to the author and explaining how the podcast works, etc. I also record a new intro each episode, and I do that recording from directly within Garageband using the USB mic.

MP3 – When my editing is complete, I export the file from Garageband as an MP3. Then, I use MP3 ID3X to edit the MP3 file’s metadata  – I add a JPEG image of my podcast’s logo, I write Title, Artist, Album, and all the metadata that will eventually show up in whatever device or software someone is using to listen to the podcast.

Uploading – When I finish editing the MP3’s metadata, I upload the file to Libysn – the service that I use for hosting my podcast’s MP3 audio files. Once, I’ve successfully

It’s alive – Once I’ve successfully uploaded the MP3 file to Libsyn, I open WordPress for my podcast’s website – www.readingandwritingpodcast.com – and I write a new post describing the podcast’s content, links to the writer’s website, and, of course, links to the MP3 interview files hosted by Libsyn.

Feedburner – The final step. I ping feedburner. At one time, I also followed the feedburner ping with pinging the iTunes store (basically sending the iTunes store a signal that a new episode of my podcast was available for people who had subscribed to the podcast via iTunes.) However, in the past several months Apple has eliminated the pinging ability for iTunes. Yet, it doesn’t take long before the new episode is showing up in iTunes. (iTunes crawl’s my podcast’s feed and whenever it sees a new podcast, iTunes lists the episode in their directory and to anyone who had previously subscribed to the podcast.

With that, I’m done and the podcast is available for listeners.

What’s your podcasting post-production process?